Sam Peckinpah’s much-messed-with 1965 film Major Dundee has just come out on Blu-ray from the boutique label Twilight Time. The two-disc set features both the 2005 reissue based on a preview version of the movie and the version released theatrically 48 years ago. Both are worth having, as the following Queen Anne & Magnolia News article from 2005 suggests. – RTJ
[Originally published in the Queen Anne News, April 11, 2005]
Sam Peckinpah was one of our great modern filmmakers, but for many his name summons up such a fearsome Hollywood legend, of blighted career, outrageous excess and epic self-destructiveness, that remembering the great films becomes secondary.
The legend began to lock into place with his third feature film, the 1965 Major Dundee—though it’s worth noting that even his universally admired second film, the elegiac Ride the High Country (1962), was nearly thrown away by its parent studio, only to be hailed as “the best American film of the year” by Newsweek magazine. Ride the High Country was a small film—a program picture, really—featuring two over-the-hill cowboy stars (Joel McCrea and Randolph Scott). Major Dundee would be, by mid-’60s terms, an epic, with a $4.5-million budget, two recently Oscared or Oscar-nominated stars—Charlton Heston and Richard Harris—and an international cast with more color and flair than, perhaps, any one motion picture could accommodate. It was also to be a film of vast and complex thematic ambitions, a dual character study that sought to refract not only the historical tensions of the Civil War–era frontier but also the fractious America of a century later, astir with the civil-rights movement and the beginnings of what we would come to know as the Vietnam era.