Nashville: Writin’ it all down kinda makes me feel better (published on Parallax View here) Exploring the terrain of the movie of the year
By Richard T. Jameson
Tracking Shot
Doppler Effect at the Dunbar (published on Parallax View here) Our Man in Vancouver reports on the latest festival up that way—most especially, Les Ordres, The Middle of the World and The Goat’s Horn
By Ken Eisler
You Only Live Once A quick guide to the local—and suddenly very busy—repertory scene
La Olvidada An undiscovered woman director, appraised
By Jorge Ayala Blanco
(Translated by Ken Eisler)
Alice in Wanderland It’s the real thing: Scorsese’s Alice Doesn’t Live Here Anymore
By Maria Gargiulo
Letters
Tracking Shot
gawlDurgnat Reviews of two by Raymond Durgnat:
Jean Renoir
By Peter Hogue
The Strange Case of Alfred Hitchcock (published on Parallax View here)
By Robert C. Cumbow plus an In Black & White addendum, Lilli Palmer’s Change Lobsters—and Dance
By Richard T. Jameson
Adventures in Time and Space George Cukor’s Travels with My Aunt
By Jesse S. Brandt
A New Map of the Labyrinth: The Unretouched Touch of Evil There’s now more to see than ever in Orson Welles’ American-nightmare masterpiece -described
By John Belton
On the Absence of the Grail (published on Parallax View here) Style, meaning, and Meaning in Robert Bresson’s Lancelot du Lac
By Alan Williams
Love among the Ruins Browsing over Seattle film year 1975, with Ten Best Lists by MTN Contributing Writers and commentary
By Richard T. Jameson
Moments out of Time (published on Parallax View here) Scenes, shots, stances, sensations onscreen in ’75 -remembered
By Richard T. Jameson and Kathleen Murphy
Back Door to Personal Expression The blessings of B-dom. William K. Howard’s Back Door to Heaven, appreciated
By James Damico
Tracking Shot
D.O.A. and the Notion of Noir Journey to the end of night
By Richard Dorfman
Closing Down the Open Road: Detour (published on Parallax View here) Life among the process screens, savored
By David Coursen
Letters
In Black & White (published on Parallax View here)
“B” Movies and Kings of the Bs, reviewed
By Peter Hogue
The Birth of the Talkies, reviewed
By Claudia Gorbman
Touch of Evil: Removing the Evidence
Unretouching an important article
You Only Live Once
“The American Dream” for UW LecCon
A Piece of The Cobweb A note on suggestive mise-en-scene
By Dana Benelli
The Richard Lester Sitting-Still Film (published on Parallax View here) The peripatetic director of The Three Musketeers, Juggernaut and now Robin and Marian, interviewed
By James Monaco
Still Life: Robin and Marian (published on Parallax View here) “Ripeness is all” in the new Richard Lester film
By Kathleen Murphy
Misère-en-scène: Young German Filmmakers on Dangerous Ground Fear—and other good things—eat soul in the Federal Republic: a report
By Rick Rentschler