The great misconception of silent cinema is that it’s all about movies that lack the dimension of sound. It’s the idea of “lack” they get wrong. Apart from the oft-stated fact that silent cinema was never silent—from the biggest movie palaces to the smallest storefront theaters, the movies were always accompanied with music and often with sound effects—movies developed as a uniquely visual form of storytelling just as radio drama and comedy evolved into a sophisticated form of audio storytelling. Whether you believe it a purer from of cinema or an archaic one, silent movies offer a different kind of experience than sound cinema, one built on faces and physical performance to communicate character and emotion. Forget the cliché of outsized acting styles and simplistic situations plucked from slapstick farces and spoofs. There is a rich world and varied world in the silents, from surreal comedy to magnificent spectacle to adult drama, with performances both bold and nuanced.
That is the experience celebrated at the San Francisco Silent Film Festival, the biggest and greatest celebration of cinema before the talkies in the U.S. The 24th year of this annual event presented 23 features between May 1 through May 5 at the Castro Theater (“the Cathedral to Cinema,” as it was so described by the director of the National Film Archive of Japan, Hisashi Okajima), along with shorts and special presentations.
