Posted in: 2000 Eyes, by Robert Horton, Film Reviews

2000 Eyes: Gladiator

[Written for Film.com]

Gladiator, a blockbuster-budgeted behemoth about ancient Rome, begins with a lyrical closeup of a man’s hand rippling through the wheat in a sun-dappled field. Yes, this has the look of director Ridley Scott, in that exciting/maddening way of his: it’s an image that could come from a tone poem, or from a TV commercial. Scott has always had both sides to his directorial personality, which I think is why I have a hard time referring to Alien and Blade Runner as classics (having never gotten over the thud of disappointment I felt on their opening days). In fact, for a highly regarded filmmaker, Scott has an awful lot to answer for, including G.I. Jane, 1492, and that horned fantasy Legend.

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Posted in: 2000 Eyes, by Robert Horton, Film Reviews, Science Fiction

2000 Eyes: Mission to Mars

[Written for Film.com]

In the opening ten minutes of Mission to Mars, we receive all the mandatory backstory of the typical modern Hollywood movie: relationships are explicitly spelled out in the dialogue, a bond between a father and son (never again referred to) is invoked, personal histories are described with a minimum of subtlety. Director Brian De Palma, who has often been bored by this sort of thing in his movies, barely makes an effort here. A couple of longish Steadycam shots, at an astronaut party on the eve of a Mars expedition, represent an attempt to jazz things up — albeit rather pale in the light of the pyrotechnics of the opening of De Palma’s Snake Eyes. The dialogue is rock bottom, EXPOSITION writ large and crammed into every available mouth. Houston, we’ve got a problem.

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Posted in: by Sean Axmaker, Contributors, streaming, Television

Review: I Am the Night

We can thank Wonder Woman for the miniseries I Am the Night. Director Patty Jenkins not only connected with her star, Chris Pine, over the project, but Pine’s interest inspired a new character in the screenplay her husband, Sam Sheridan, was writing. The result is an “inspired by a true story” six-part TV-miniseries as dark and lurid as any fictional film noir.

India Eisley stars as Pat, a mixed-race high school girl in 1965 Nevada who discovers that everything her mother Jimmy Lee (Golden Brooks), a single, African-American woman, told her was a lie.

Continue reading at Noir Now Playing

Posted in: Blu-ray, by Sean Axmaker, Contributors, DVD, Film Reviews, Science Fiction

Blu-ray: Wonder Woman

Wonder Woman (2017) is, if you’ll pardon such an obvious comment, a wonder of a superhero movie, a film that doesn’t transcend the genre but most certainly sets a high bar, especially next to the ponderous, humorless films of the new big screen universe of interconnected DC Comics heroes.

Warner Home Entertainment

Gal Gadot debuted as Amazon princess warrior Wonder Woman in the turgid Batman v Superman: Dawn of Justice and brightened the film immediately. The spirit we glimpsed there carries this origin story, which sends us back to the 1910s and the hidden island paradise of the Amazons inadvertently invaded when American pilot Steve Trevor (an earnest yet spirited Chris Pine) flies past the invisibility field and crash lands on the beach, the first man ever to set foot on the island. Diana is intrigued to say the least but more compelled by news of a world at war and, after the inevitable assault by German forces after Trevor, is convinced of her purpose: stopping the god Ares from destroying all of mankind through warfare. She leaves the island against the wishes her mother (Connie Nielsen, commanding and regal). Steve’s not so convinced of that stuff about ancient gods and eternal Amazons but he has no doubt as to her abilities as a warrior or her commitment to justice and he knows a valuable ally when he meets one.

Continue reading at Stream On Demand.