[Originally published in Movietone News 23, May-June 1973]
The spectre of Blake Edwards hangs over The Thief Who Came to Dinner because two of his frequent collaborators worked on it and because Edwards himself might have made the film go, which Bud Yorkin hasn’t managed to do. Thief cries out for Edwards’s special knack of imparting a combined sense of cool, elegant modernity, subdued emotionality, and unpolemical bitterness that implies a previous history for the characters and a meaningful present-tense context for the generic games being played on screen. Yorkin and his screenwriter Walter Hill (who also worked on Hickey and Boggs and The Getaway) can’t decide whether to go for suspense, comedy, or romance (Edwards could have had all three with delirious simultaneity) and end by providing little of each.
