The only links page that matters… except for all the others.
Seattle screenings and cinema events are surveyed at Parallax View here.
In what seems to be the start of a series, and an invaluable one at that, B. Kite and Kent Jones have put up a pair of fascinating articles at Film Comment’s blog on Robert Bresson (part one and part two). Each tries to clear away the clutter surrounding the director—Kite by praising his hard-boiled fascination with process; Jones asserting the primacy of his Christianity, however uncomfortable that makes some modern critics—and both are enraptured by the gleaming sensuality that radiates from such purportedly austere films, prompting affinities from Astaire to Huston to Webb.
“My ball-grabbing opening had young Balzac and his mother in a runaway stagecoach, hurtling along a treacherous road next to a cliff, the future novelist struggling with the reins of the startled horses and finally saving the day. Hell, Balzac was going to be a sexy adventure picture with plenty of action!” Also at Film Comment, their recent list of the best movies never made has been expanded to a two-part, still-growing rundown of projects abandoned over the years, not least a literary biopic à la Fuller (a through k here, l through z here).
Movie lists can be an easy, tossed-off way to drive hits to a website; and they can still be a labor of love, as proven by Film Comment above and by Popmatters’s latest addition to their collection of Essential Film Performances, last updated in 2010. Halfway through a promised 50 selections, and several choices already veer admirably from the beaten path: most such lists, arranged alphabetically, would hit the midpoint with Charles Laughton, but how many would be praising his turn in This Land Is Mine?