Posted in: by Ken Eisler, Contributors, Film Reviews

Review: La Via Revee

[Originally published in Movietone News 47, January 1976]

by Ken Eisler

Isabelle drives unhurriedly through the morning streets of Montreal in her little red Volkswagen. Along the way we glimpse women looking out of windows, kids playing—vivid ephemeral street scenes. This engrossing flow of images is interrupted only once: to accommodate an insert of some people punching in at a time clock. Now Isabelle arrives at her place of work and punches in too … a bit late. She’s in a place where people make movies. Another flowing sequence shows employees at work here: a woman bent over a table, laboriously crayonning in the empty space of an animation cell; a paunchy English-speaking executive being petulant and overbearing with a director. Isabelle heads straight for the ladies’ john. With a friendly quick smile, she joins another woman in front of the big mirror and they stand side by side busying themselves with their appearance. The woman’s face appears set, deadpan, studiedly oblivious. Oh, Christ, you think. Alienation City. But it’s the other woman, surprisingly, who at long last breaks the silence, with a “hen-talk” ·remark that is addressed, however, not directly to Isabelle but at her image in the mirror, and that also bears more than a trace of hostility. “You don’t need that paint,” she rasps. Isabelle replies in feminine kind, but without the hostility. “I love your necklace,” she exclaims, leaning over; and at this a broad smile breaks through the other woman’s mask. “I made it myself,” she says proudly, turning directly to Isabelle. The two exit together, talking, and walk down the corridor.

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