Movie Views from Seattle
[Written for Film.com]
Like most movies, Autumn in New York has a way of stating its themes in dialogue, so we don’t miss the point. In one scene, hip restaurateur Richard Gere asks his best buddy why he should continue a relationship with a much younger woman with a serious illness. The buddy, played by Anthony LaPaglia, shrugs in the down-to-earth way of movie best buddies and says, “Maybe it makes a sad girl happy and a desperate guy think.”
Read More “2000 Eyes: Autumn in New York”[Originally written for Amazon in 1998]
Set the wayback machine to 1998. Parallax View presents reviews of films released 20 years ago, written by our contributors for various papers and websites. Most of these have not been available for years.
In Malaysia, three young Americans with little else in common are united in a shared enthusiasm for beer, women, and righteous hashish. Eventually, “Sheriff” (Vince Vaughn) and Tony (David Conrad) head back to New York. Lewis (Joaquin Phoenix), a spacey but good-hearted sort, stays on with the notion of helping save the orangutans. Two years later, a brassy lawyer (Anne Heche) shows up in Manhattan with the news that her client, Lewis, has spent the interim in Penang prison. Arrested for a prankish misdemeanor they all shared in, he’s taking the rap for something worse:the dope stash they left him holding was a fatal few grams over the limit. Unless his fellow Americans return voluntarily to (literally) share the weight, in eight days Lewis will be hanged as a drug trafficker.
Read More “Review: Return to Paradise”
Robert Downey, Jr. and Vera Farmiga
Leave out Robert Downey, Jr., and The Judge looks like a painfully old-fashioned exercise in the Tradition of Quality. Big-city defense attorney Hank Palmer (that’s Downey) comes home to Indiana just in time to see his father (Robert Duvall), a respected judge, arrested for vehicular homicide. Father and son do not care for each other, but the dominoes are poised to let Hank stick around and mount a spirited defense.
In the course of the trial, family dynamics are tested, Hank brushes up against an old girlfriend (Vera Farmiga), and zero coolness points are awarded to anyone involved in the movie. Well, maybe Billy Bob Thornton earns a few as a sleek prosecutor (think George C. Scott in Anatomy of a Murder), but otherwise this is a very square film, suitable for limited Oscar buzz and a safe choice for seeing with your parents.
“My mother just gets … impulsive. She has these ideas about things …”
That’s 17-year-old Norman Bates (Freddie Highmore) in the premiere episode of “Bates Motel,” explaining to his admiring new teacher, Miss Watson (Keegan Connor Tracy), why he’s been bounced around to five different high schools. His mother Norma (Vera Farmiga) has just moved them from Arizona to White Pine Bay, a sleepy coastal Oregon town, following the tragic (accidental?) death of her second husband. Apparently Norma has valid reasons for her impulsive behavior. Either that, or … she just goes a little crazy sometimes.
We’ve heard that line before; it’s from Alfred Hitchcock’s 1960 horror/suspense classic “Psycho,” in which motel owner Norman (now in his twenties and played by Anthony Perkins) is revealed to be a homicidal psychopath, driven to murder by an extreme case of split personality.
