Posted in: 2000 Eyes, by Robert Horton, Film Reviews

2000 Eyes: Shaft

[Written for]

In this remake, Richard Roundtree, the original John Shaft, graciously passes the torch to Samuel L. Jackson. The new film’s director, John Singleton, gives Roundtree some major respect, including a scene where Roundtree exits a Harlem bar with two foxy ladies on his arms. Right on: after all these years, still a sex machine to the chicks. (That’s Gordon Parks, the distinguished American artist and director of the first Shaft, in a cameo at the same bar.)

Read More “2000 Eyes: Shaft”
Posted in: 2000 Eyes, by Bruce Reid, Film Reviews

2000 Eyes: 8 1/2 Women

[Written for The Stranger]

All of Peter Greenaway’s films depend less on human emotion than they do on a particularly fierce adherence to preordained patterns. Because of this insistence, they are curiously immune to criticism. Call them callous, misanthropic, inhuman (all of which they certainly are), whatever you like; for the Greenaway fan, such objections have simply missed the point. Depending on your belief — is art about people, or simply a way of ordering an incoherent universe? — he is either a fraud or one of the greatest filmmakers currently working. 8 1/2 Women, his latest film, is no exception. For his fans, it may well be the finest thing he’s done; the rest of us will find it as grotesque and unwatchable as the rest of the director’s output.

Read More “2000 Eyes: 8 1/2 Women”