[Originally published in Movietone News 66-67, March 1981]
MTN 55’s Tracking Shot noted: “Is that the best way? Novelist Patricia Highsmith saw her Strangers on a Train become a film classic under the direction of Alfred Hitchcock, but she rejected Hitch’s offer to direct her This Sweet Sickness. Claude Miller inherits the job.” Aha, but wait. There is a Hitch connection, for this novel was turned into an early episode of The Alfred Hitchcock Hour. Compressed into 45 minutes or so and renamed Annabel, it was, as I recall, adapted by Robert Bloch, had Dean Stockwell in the lead and was directed by Paul Henreid. As scripted by Bloch, it was a brisk tale of sexual obsession neatly rounded off by gore and girl-menacing, and it couldn’t be more different from this largely quiet and restrained French version. Where Stockwell’s central character was straightforwardly a nutter about whose eventual apprehension one could feel relief uncomplicated by much affection, the central figure in this movie, played most powerfully and sympathetically (for most of the way) by Gerard Depardieu is an unhappy fellow desperate for perfect love in a prosaic world, and his descent into madness is thus more chilling.