Cinerama’s First Annual Science Fiction Film Festival opened Thursday, April 19 with a screening of Fritz Lang’s restored Metropolis accompanied live by The Alloy Orchestra, a show repeated for Friday evening and Saturday matinee shows. This same program played at the old SIFF Cinema a couple of years back, complete with the Alloy, but it’s hardly the same experience compared to seeing Metropolis across the big screen of the Cinerama. I reviewed the restoration and the Alloy score for Parallax View here.
Metropolis is presented from a HD-Cam digital master – there is no film print of the restored edition available in the U.S. – but the rest of the festival is all film, all the time, with five 70mm prints (including a new 70mm print of 2001: A Space Odyssey playing Saturday and Sunday this week) and a new 35mm print of the original 1953 War of the Worlds (playing Sunday afternoon). Also screening this week: Silent Running and Barbarella on Monday, Omega Man and Close Encounters of the Third Kind on Tuesday (the website doesn’t specify which cut of Close Encounters is being shown), and a matched set of apocalyptic burning rubber thrillers on Wednesday: Mad Max and The Road Warrior. The series picks up again on Friday for another six days of screenings.
Most tickets are $12 a show, higher for Metropolis, 2001, and War of the Worlds. Complete schedule and ticket information is at the Cinerama website here.
Austrian filmmaker Michael Glawogger is coming to Northwest Film Forum with his Globalization Trilogy, three documentaries about the underclasses around the world. Megacities, which looks at Mexico City, Bombay, Moscow, and New York, plays Tuesday, April 24, and Workingman’s Death, about manual labor in the 21st century, plays Wednesday, April 25, and Glawogger will discuss Werner Herzog and the film Fata Morgana at the Thursday, April 26 event “Herzog at Inspiration.” Whore’s Glory, his most recent film, plays for a week starting Friday, April 27. Details at NWFF website here.
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