Burt Kennedy has a long resume as a director, with such credits to his name as The Rounders, Welcome to Hard Times and Support Your Local Gunfighter. But he started his film career as a screenwriter under contract to John Wayne and made his reputation with four brilliant westerns that Budd Boetticher directed and Randolph Scott starred in: Seven Men From Now, The Tall T, Ride Lonesome and Comanche Station. I had been trying to get an interview with Kennedy for a long time. All it took, it turns out, was a little help from Budd Boetticher. During my second trip to interview the Boetticher I mentioned my problem in connecting with Kennedy. He simply called him up set up a meeting for later that day, and I raced to catch Kennedy in his home in Sherman Oaks, a suburb of Los Angeles before he left that evening for a rodeo (seriously). I eventually interviewed Kennedy twice, first in 1989 and then again in1994. In these excerpts he talks about his origins and discusses his work with Boetticher beginning with Seven Men From Now, Kennedy’s first produced script. He died in 2001.
I want to ask about your background. I read, in old publicity reports, that you were the son of vaudevillians.
Yeah, my mom and dad were a headline act in vaudeville for 20 years, the Keith-Orpheum circuit. They were dancers. As a matter of fact, they danced in the Webber-Field show in New York in 1911 and Vernon and Irene Castle were in the chorus. And of course Vernon and Irene Castle did dances later on that people could do. My folks didn’t, my folks were just real good dancers, but that’s why they didn’t have the popularity that Vernon and Irene Castle did. They had a great act. And I was born in a trunk.
Born on the road?
Yeah. I don’t really remember much of it. I remember some because I worked in the act when I was about 5 and I think I was a has-been at 7. Vaudeville didn’t just die out, vaudeville just died overnight. I mean radio is kind of still around, you know, it had its heyday and then it went gradually downhill, but it’s still there. But not vaudeville. One day vaudeville was going full bore and the next day pictures took over and all these acts were out of business.