When I got on the phone with Tim Robbins, who was doing a day of interviews to publicize his new film, The Lucky Ones, he began with all the energy of a guy doing just another job, giving out answers that had the feeling of a familiar response practiced over numerous interviews. I have to take some of that blame myself â€“ you ask the same questions, you’ll get the same answers â€“ but it also felt like the outspoken Robbins was holding his own political view in check so as not to distract from the film, in which he plays an Iraq veteran trying to get home after his tour of duty and ending up on a road trip with a pair of younger soldiers on 30-day leave. I was supposed to get ten minutes and was hoping to get at least a couple of interesting comments from the Oscar-winning actor (for Mystic River) and Oscar-nominated director (for Dead Man Walking). And sure enough, once we got beyond The Lucky Ones and into other areas, such as his work in the theater, he seemed to come alive. Strangely enough, I never got around to talking about either Mystic River or Dead Man Walking, or his talent for playing closely-guarded characters, but we get started on Cradle Will Rock, his last film as a director, before he was called off for another interview. Some of the interview ended up in the short “A Moment With Tim Robbins” mini-feature for the Seattle Post-Intelligencer. The rest of it is here.
The character Colee, played by Rachel McAdams, calls your group “The Lucky Ones” because you survived battle. How lucky can they be if their definition of luck is simply survival?
I don’t know if that’s what the title means. It could be that they’ve found each other. One of the things that I responded to immediately with the script was that this story was very human feel to it and had compassion for the struggle and the challenge for returning home to the country after serving overseas. That’s a story that I think is important to tell, it’s a story that involves opening a door to something that not a lot of us have to think about. My main concern with it was, I wanted to make a film that veterans could see and appreciate.
What kind of research did you do for the role?
I’ve been talking to veterans and people in the armed services and family members of people in the armed services for a long time, since I did Top Gun, so I’ve come to know quite a few people in the military, everyone from gung-ho Republicans to people that were Republicans and are now against the war to Democrats to liberals to activists. There’s a wide spectrum of people in the military, they don’t all think the same way, and I have a deep respect who make that kind of sacrifice. I think it’s import that we understand that part of support for the troops is advocacy when they return, not only when also they’re there but when they return, and there’s an awful lot of challenges facing people coming home and this comes from my conversations with veterans and family members. I would hope the film perhaps makes people more sensitive to some of the needs of our veterans.