Posted in: Blu-ray, by Sean Axmaker, Contributors, DVD, Film Reviews

Videophiled: ‘12 Years a Slave’ from Oscar to Disc

12 Years a Slave12 Years a Slave (Fox, Blu-ray, DVD, Digital HD), coming hot off an Oscar win for Best Picture as well as Best Supporting Actress (Lupita Nyong’o, whose acceptance speech was a work of art) and Best Adapted Screenplay (by John Ridley), timed this release right. Still unavailable on VOD or On Demand, disc is the only way to see this at home.

Chiwetel Ejiofor plays the Solomon Northup, the free man who was kidnapped in the north and sold into slavery in the south where he survived for 12 years before he was able to return home, with Lupita Nyong’o as the young, abused female slave Patsey and a supporting cast that includes Michael Fassbender, Sarah Paulson, Benedict Cumberbatch, Paul Dano, Alfre Woodard, Michael Kenneth Williams, and Brad Pitt (who was also a producer).

What most impresses me about the film is the way it shows how slavery distorts humanity on all levels. When human beings are treated as property, it corrupts the owners as it takes away the self-worth of the captives. There is a vast gulf between the “bad master” played by Fassbender and the “good master” played by Cumberbatch, but he is a slave owner nonetheless and never considers another way.

Blu-ray and DVD with two featurettes, “The Team” and “The Score.” The Blu-ray offers an exclusive third featurette, “A Historical Portrait.” You’ll have to wait a couple of weeks for On Demand and VOD, which could spur even more sales for those not willing to wait. Or you could visit your local video store. They could use your business.

More at Cinephiled

HungerGamesFireThe Hunger Games: Catching Fire (Lionsgate, Blu-ray, DVD, Digital HD, VOD, On Demand on Friday, March 7), the second film in the young adult dystopian series starring Jennifer Lawrence as Katnis Everdeen, a reluctant warrior and symbol of resistance, improves upon the original film in almost every way. Taking the same basic premise—a despotic government that keeps its citizens in poverty and reminds them of its power by drafting the young into a modern gladiatorial ring to kill or be killed on TV—this one digs deeper into the idea of power and control and the way media is used as a tool of oppression.

Director Francis Lawrence understands the novels better than previous director Gary Ross. Katnis’s District 12 doesn’t look like an ennobled patch of poverty in the majesty of the wilderness this time, it’s a rural slum caked in coal dust, and the districts are essentially open slave pens for people who will be worked to death without any hope of escape. The façade of the luxurious capitol is built within a veritable bunker. And Katniss is no selfless heroine, simply a young woman who acts on instinct to protect who she loves rather than simply protect herself.

More New Releases at Cinephiled

Posted in: by Robert Horton, Contributors, Film Reviews

‘The Hunger Games: Catching Fire’: Jennifer Lawrence Mostly Makes It Work

Jennifer Lawrence

The second chapter of this saga still hasn’t figured out how to reconcile being a big-budget spectacle of violence while criticizing big-budget spectacles of violence. But Catching Fire is an improvement over last year’s quadrilogy opener, even if designed and executed as a placeholder (complete with a cliffhanger ending) rather than a full-blooded story on its own.

In the first installment we met the tragically named Katniss Everdeen (Jennifer Lawrence), who triumphed in the annual Hunger Games staged by an evil dictator (Donald Sutherland) and his media-savvy minions.

Continue reading at Seattle Weekly