The Quintessential Guy Maddin! 5 Films From The Heart Of Winnipeg (Zeitgeist)
Canadian maverick Guy Maddin makes films like no one else: surreal studies in repression and sexual hysteria with the textures of silent cinema and the scuffed-up surfaces of neglected cinematic ephemera unearthed. In the 22 years since first feature, Tales from the Gimli Hospital (1988), he continued to make his films his way: Obscure, lush, and antiquarian, made on tiny budgets and released to tiny audiences. Zeitgeist has been there from the beginning, releasing five his ten features in theaters and on DVD (accompanied by many of the short films he made between features). There’s nothing new on this set (not even new masters of the old films; the old discs are simply repackaged) but it does offer a quick and efficient way of collecting a big chunk of Maddin’s filmography, and an excuse to roll back through his career.
Witness his sophomore feature Archangel (1990), a surreal silent movie melodrama of love, war, and amnesia for the sound era: an absurdist silent WWI epic that never was. Set in WWI Russia by way of claustrophobic sets transformed into Maddin’s dreamland imagery, this story of a one-legged soldier (Maddin regular Kyle McCulloch) caught in a romantic triangle between his lovesick landlady and a married nurse (Kathy Marykuca) who resembles his dead lover is less a parody of silent cinema than a loving crackpot tribute. Shot in often soft focus B&W, artificially aged to look like a survivor of yesteryear, and filled with absurd imagery (bunny rabbits leap into the trench in the midst of battle) and unfathomable twists, this is a farce with a tragic dimension and a singular vision that defies categorization and description.