Horror Classics: 4 Chilling Movies from Hammer Films(Warner, Blu-ray) presents the respective Blu-ray debuts of four films from Hammer Films, the British studio that revived the classic monster movies in gothic style and lurid color (to match the lurid atmosphere of sex and death).
The Mummy (1959) is the third of Hammer’s classic horror revivals and the fourth Hammer film to pair up its two marquee stars, Peter Cushing and Christopher Lee. Cushing stars as archeologist John Banning, whose dig for a lost tomb results in untold treasures but leaves his father a mumbling madman and marks the rest of the company for death. Lee is Kharis, a former high priest turned gauze-wrapped guardian of the tomb, a veritable Golem sent on a mission of vengeance by Mehemet Bey (George Pastell), a disciple of the ancient Egyptian god Osiris. “I’ve spent the better part of my life among the dead, but I’ve never worked in a place with such an aura of menace. There’s something evil in there.”
The scenes at the archeological dig and the flashbacks to the ancient burial are stagebound and frankly cheap looking, but Terence Fisher—Hammer’s top director—is back in familiar territory when the action relocates to the misty swamps and Victorian mansions of rural England. The towering, 6’3” Lee makes the most terrifying mummy to date. He covers ground in giant strides, smashes his way into rooms with heavy Frankenstein-like swipes of his arm, and takes shotgun blasts with barely a twitch, yet melts from rage to calm at the sight of Banning’s wife Isobel (Yvonne Furneaux), a dead ringer for his dead Queen. He’s haunted soul, rampaging juggernaut, and a hugely powerful monster all in one. In the classic Hammer tradition there’s a sadistic twist to the flashback when Lee’s transgressive priest has tongue removed. It’s not as gory as it sounds, but it still carries a shivering eeriness about it. Hammer’s Mummy sequels, like Universal’s before it, are a spotty lot but the original is quite good.