Posted in: 2000 Eyes, by Robert Horton, Film Reviews

2000 Eyes: Crouching Tiger, Hidden Dragon

[Written for The Herald]

Once upon a time, the Oscars used to give out awards for “Dance Direction.” These days the art of choreography goes mostly unnoticed at Academy Award time.

They should revive the award, or invent a new one, for Crouching Tiger, Hidden Dragon. The award wouldn’t be for dancing, per se, but for the beautifully choreographed martial arts scenes in this hugely enjoyable movie. The fight choreographer is Yuen Wo-Ping, who also designed the kung fu action in The Matrix. His work here is literally breathtaking.

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Posted in: Blu-ray, by Sean Axmaker, Contributors, DVD, Film Reviews

Blu-ray: ‘Dragon Inn’ / ‘Legend of the Mountain’ – King Hu on Criterion and Kino

Dragon Inn (Criterion, Blu-ray, DVD)
Legend of the Mountain (Kino, Blu-ray, DVD)

After the success of Come Drink With Me, the pioneering wuxia pian (“martial chivalry”) adventure that mixed martial arts, romance, comic action, and historical settings, Hong Kong director King Hu went to Taiwan for the opportunity to make films with greater freedom. Dragon Inn (also known as Dragon Gate Inn, Taiwan, 1967), his first film in Taiwan, pits a group of enigmatic strangers against soldiers sent by a power-hungry Eunuch in the court of the Chinese Emperor to murder the children of a popular government official. They all converge on a the lonely inn of the title, an isolated, windscoured building in the middle of the desert near the Dragon Gate military outpost, where they play out games of social civility between sneak attacks and martial arts skirmishes that build from clever little displays of skill within the inn to sweeping battles against the rocky backdrop of the desert and the lush mountain forests and peaks nearby.

Criterion Collection

Shih Chun, Hu’s favorite leading man, is the wily, grinning loner who swats aside arrows without spilling a drop of wine and catches daggers with chopsticks, and Shangkuan Ling-fung is a warrior woman traveling in the guise of a young man, and they team up to protect the children from the hordes of soldiers sent by the villainous eunuch (Bai Ying under a flamboyant head of white hair). Given his large cast of characters, he effectively gives the primary players distinctive (if broadly drawn) personalities and body language, making them stand out even in busy battle scenes, and his impeccable compositions keeps the film centered on our heroes even in the heat of battle.

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