[Originally published in Movietone News 49, April 1976]
Norman Panama and Melvin Frank used to be partners. Since neither of their latest independent efforts is worth reviewing by itself, and since both represent hazards to public health, this joint quarantine report is offered. I Will, I Will … for Now finds Panama blatantly poaching on territory Frank found profitable—and made comparatively tolerable—in A Touch of Class a couple years ago. Frank’s scenario about a salably bittersweet affair between a married man and a plucky divorcee in an expense-account version of the Jet Set has been transmuted into a wishfully trendy bit of fluff concerning a once-married couple who opt for one more try, but this time under the modish umbrella of a cohabitation contract renewable or cancellable at the end of each year. It’s hard to tell from scene to scene whether they’re with-it or congenitally oldfashioned; while that might have made for a revealing approach to the problems of maintaining an honest commitment in these parlous times of sexual revisionism, in this case the confusion bespeaks filmmakers playing both ends against the middle rather than the comic pathos of well-meaning characters. Gould and Keaton—and Paul Sorvino as the family lawyer who’d been having an affair with the new divorcee—supply the enterprise with more gentle whimsy and emotional integrity than their cinematic context deserves. As for the movie side of things, even ace cameraman John (Chinatown) Alonzo performs as if he were lensing a TV sitcom.
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