A Married Woman (Cohen, Blu-ray, DVD), subtitled “Fragments of a film shot in 1964,” is Jean-Luc Godard’s modern portrait of love and sex in the media-saturated sixties with Macha Méril in a role that was clearly meant for Godard’s wife and longtime muse Anna Karina (they were separated at the time) and it channels Godard’s feelings at the time. Like Karina, Méril’s Charlotte is beautiful young woman who is married to an older man and having an affair with an actor. The film opens on a montage where Charlotte is reduced to parts—legs, arms, back, lips, midrift, isolated glimpses of the naked female suggesting those erogenous zones that could not be photographed in a mainstream feature film—caressed by her unidentified lover. It’s shot in creamy cool black-and-white by longtime cinematographer Raoul Coutard and the strikingly handsome formality is both erotic and removed, suggesting a physical intimacy and an emotional disconnection even in even the most intimate scenes of lovemaking and pillow talk.
The Essential Jacques Demy (Criterion, Blu-Ray+DVD Dual-Format set) collects six features and a few early shorts from the Nouvelle Vague‘s sadder-but-wiser romantic. It’s not my intention to rate him against the movement’s most famous filmmakers – Godard, Truffaut, Chabrol, Rohmer, Rivette, Varda – but just to find his place among them. Like so many of his fellow directors, Rivette loved American movies, especially musicals, but his taste for American musicals and candy-colored romance was balanced with a bittersweet sensibility. For all the energizing music and dreamy love affairs, his romances more often than not don’t really get happy endings.
Criterion’s 13-disc set, one of their last to come out in the Blu-Ray+DVD Dual-Format, picks six of his defining films from his 1961 debut to his 1982 Une Chambre en Ville, which makes its American home video debut in this set, all transferred from restored and remastered HD editions.
Lola (1961) is a bittersweet musical without the music, lovingly shot in Demy’s hometown of Nantes in black and white CinemaScope by Nouvelle Vague master Raoul Coutard, and set to a lovely score by Michel Legrand. Anouk Aimee, whose appearance in lacy tights, boa, and top hat made her an eternal pin-up dream, is a single mother looking for the father of her child in the port towns of Nantes. As in so many of his films, Demy reveals himself as both eager romantic and sadder-but-wiser realist, and for all the dashed dreams of the film it still manages to have its swoony romantic fantasy come true.