Posted in: Blu-ray, by Sean Axmaker, Contributors, Directors, DVD, Film Reviews, Howard Hawks, Pre-code Cinema

Blu-ray: ‘His Girl Friday’ meets ‘The Front Page’ on The Criterion Collection

Criterion

His Girl Friday (Criterion, Blu-ray, DVD) should really be listed as a double feature, for the “bonus” movie—a new edition of the original screen version of The Front Page, adapted from the snappy, cynical, double-barrel Broadway hit by Ben Hecht and Charles MacArthur—is not just a home video debut but a major discovery.

The Front Page (1931) stars Pat O’Brien as the crack reporter Hildy Johnson, ready to leave the beat for marriage and an office job, and Adolph Menjou as the crafty editor who pulls every trick to keep Hildy on the job to cover a breaking story: the execution of a convicted killer who is more addled everyman than rabble-rousing radical. The film opens on a test drop from the scaffold that is to hang Earl Williams, then the camera glides over to the reporter’s room where the thick-skinned gentlemen of the press prove that they are no gentlemen.

Is this the stuff of comedy? It is in the hands of Hecht and MacArthur, former newspapermen with plenty to say about the cutthroat tactics of journalists.

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Posted in: Blu-ray, by Sean Axmaker, Contributors, DVD, Film Reviews

Blu-ray: The original 1931 ‘The Front Page’ rescued from video neglect

FrontPageThe Front Page (Kino Classics, Blu-ray, DVD) – The original 1931 screen version of the rapid-fire newspaper comedy written for the stage Ben Hecht and Charles MacArthur stars Pat O’Brien as the crack reporter Hildy Johnson, ready to leave the beat for marriage and an office job, and Adolph Menjou as the crafty editor who pulls every trick to keep Hildy on the job to cover a breaking story: the execution of a convicted killer who is more addled political radical than murderous felon. The film opens on a test drop from the scaffold that is to hang Earl Williams (George E. Stone), then the camera glides over to the reporter’s room where the thick-skinned gentlemen of the press prove that they are no gentlemen.

Is this the stuff of comedy? It is in the hands of Hecht and MacArthur, former newspapermen with plenty to say about the cutthroat tactics of journalists. These guys are equal parts con men who will do anything for a story, hard-boiled professionals jaded by the job, and public servants out to dig up the hidden dirt of corruption and crime (even if they have to commit a few themselves along the way). And they knew the dirty game of Chicago politics. Though the film never explicitly says so (the opening titles put this in “a mythical kingdom”), this is set in the cradle of Chicago politics, where everything is a matter of power and public appearances, including the impending execution of a socialist who has been railroaded to placate the voters. When he escapes—using the Chief of Police’s own gun!—Hildy and Walter become conspirators in hiding the felon until they can get their scoop and blow the lid off the mayor’s scheme.

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