Posted in: 2000 Eyes, by Kathleen Murphy, Film Reviews

2000 Eyes: O Brother, Where Art Thou? and Dancer in the Dark

[Written for Reel.com]

How strange that two of the movies I’ve liked best and been most surprised by at Cannes 2000 should turn out to be mutant forms of the musical. The Coens’ song-filled O Brother, Where Art Thou? taps into the power of mythic storytelling, the kind of exhilarating power that drives journeys from Homer’s Odyssey to Preston Sturges’s Sullivan’s Travels — both sources for O Brother’s down-and-dirty musical drift through an economically depressed America teetering on a future we’ve come, for better and worse, to live in.     

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Posted in: 2000 Eyes, by Richard T. Jameson

2000 Eyes: O Brother, Where Art Thou?

[Written for Mr. Showbiz]

The first weekend of the 53rd Cannes Film Festival couldn’t have dawned more auspiciously. The Coen brothers are back with their first movie of the millennium and it’s a doozy. Taking their title from a maudlin catchphrase of the Great Depression—and from the mock-allegory with which Preston Sturges’s 1942 classic Sullivan’s Travels began—they’ve come up (again) with a complete original: a hilarious lowbrow comedy that only highbrows could have made, filled with an exultant sense of how big and startling and beautiful the pleasures of movies can be.

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