The first season of the seventies TV series Lou Grant debuts on DVD this week. To mark the long-awaited debut, Parallax View is featuring a pair of pieces about the series originally published during the run of the series. The first piece was published on Monday, May 24.
[Originally published in The Weekly, July 7, 1982]
My wife just told me that Lou Grant is going to be on in Lou Grant‘s time slot this week. This is something new and different. It had looked as if CBS, not content with having cancelled one of the best dramatic series in television history, wouldn’t even let it die in its own bed: for the past few weeks, the 10pm Monday berth has been consecrated to pumping ratings life into a piece of dreck called Cagney and Lacey. Lou’s fans had begun to wonder whether they’d have a chance to bid him farewell.
Actually, part of me has always been getting ready to live with Lou Grant‘s cancellation. Fear of that eventuality brought me out of the closet in November 1977 to do my first television review. This terrific show had been on for about a month and hardly anyone I knew, people who ought to like and value it, was watching. (They didn’t know about it; it was on too late for a weeknight; “I only watch public television.”)
Quality in television scored one of its rare victories that season: Lou Grant survived despite slow-building ratings. On ABC or NBC it would have been chopped after thirteen weeks, if not sooner. But CBS had a tradition of nurturing distinguished slow starters (including The Mary Tyler Moore Show where Lou Grant, if not Lou Grant, had been born). The network remained patient. Critics spread the word and so did more and more regular folks. The show’s viewing strength grew. Come one miraculous week in the summer of ’78, a Lou Grant rerun copped number-one position in the Nielsens and Ed Asner beamed at us from the cover of People.