Posted in: Blu-ray, by Sean Axmaker, Contributors, DVD, lists

Restorations, revelations, and revivals of 2015 – Celebrating film history discovered and rediscovered

We never stop recovering our film history. Lost movies are being found and older films on the verge of self-destruction are getting preserved and in many cases painstakingly restored, thanks to the digital tools that give filmmakers, producers, studios, and film archivists and restorers the ability to resurrect damaged prints and rescue damaged footage previously beyond the scope of physical and chemical methods.

Jean-Pierre Leaud in ‘Out 1,’ restored and released in 2015

The preservation of our film legacy is essential, but it’s just an ideal until the preserved films become available for viewers at large to watch, not just limited to brief festival appearances. Film history needs to be living history, and thanks to DVD and Blu-ray, streaming and digital downloads, and (ironically) the shift from celluloid to digital projection, classic films are more available than ever.

This list is focused on debuts and rediscoveries of classic films and cinema landmarks, restorations of great films, and revivals of previously unavailable movies that became available to viewers in 2015 in theaters, on home video, or via streaming services. Not just a countdown of the best, it’s a survey of the breadth of restorations and rediscoveries that film lovers across the country now have a chance to see regardless of where they live.

1 – Out 1

Set in “Paris and its double,” Jacques Rivette’s Nouvelle Vague epic (a staggering 12 ½ hours long!) is a film of doubles and reflections: two rival theater groups each rehearsing a different play by Aeschylus (“Prometheus Bound” and “The Seven Against Thebes”), two theater group leaders who were once lovers, two street hustlers (Jean-Pierre Leaud and Juliet Berto) who stumble into the conspiracy of “The Thirteen,” which turns out to be both a fictional creation by Balzac and a contemporary cabal that includes some of the characters in the film. Rivette, who collaborated with the cast to fill out his outline of a script, musters the energy and enthusiasm and free-spirited filmmaking of the Nouvelle Vague that his more famous colleagues left as the moved into their own comfort zones (Truffaut, Chabrol, Rohmer) or, in the case of Godard, discomfort zones. His engagement with actors is there on the screen, creating energy even in simple conversational scenes, and they are co-conspirators in his hide-and-seek narratives, where characters circle conspiracies and play blind man’s bluff through mysteries that may have no solution. Meanwhile their lives go on, even if their projects are sidelined, shut down, or simply left to evaporate as they move on to their next project.

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Posted in: Blu-ray, by Sean Axmaker, Contributors, Documentary, DVD, Film Reviews, Silent Cinema

Blu-ray: The silent south seas of ‘Moana’ and ‘Tabu’ restored with sound

MoanaMoana with Sound (Kino Classics, Blu-ray, DVD) – After creating what (in retrospect) is generally considered the first documentary feature, Nanook of the North, in the snows of northern Canada, filmmaker Robert Flaherty traveled to the South Seas island of Savai’i to create a similar production around the Polynesian natives. Like Nanook, Moana (1926) is not a true documentary record but a recreation of a long lost culture for the cameras created in collaboration with locals, who draw from their own historical memory. And it was the film that inspired the term “documentary,” which film critic (and later documentary producer) John Grierson coined while reviewing the film.

Moana is a poetic portrait of Polynesian life as an South Seas paradise, the opposite of Nanook, where the Inuit people fight to survive the harshness of the elements. The pace of life is easy and gentle in the Pacific sun, food plentiful in the sea and growing all around them, just waiting for anyone—even a child—to pluck the coconuts off the trees. Hunting and gathering is akin to play in this culture that was, again as in Nanook, long lost by the time Flaherty put his camera on these people. His filmmaking reflects the theme, each scene taking its time to play out, not to record every detail of finding fresh water in a branch, climbing a palm tree with a simple woven band wrapped around the ankles, or hunting a wild boar (the only real threat to human life on the island), but to appreciate the grace with which these activities are accomplished. The gentleness of the filmmaking—which was as painstakingly created for the camera as any Hollywood drama—creates a lovely, luscious film, a great leap forward in Flaherty’s cinematic talent.

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