[Originally published in Movietone News 35, September 1974]
Coming away from Dirty Mary Crazy Larry, an MTN colleague remarked that it had to be the most confused movie to cross our path in a long while. I disagreed, preferring to reserve the term “confused” for films that have somewhere they want to go but can’t quite decide how to get there, or others that may have more (perhaps very interesting) things to say than they can encompass. I felt that the makers of Dirty Mary Crazy Larry knew exactly what they were doing: they had nothing whatsoever to “say,” but they did have a handy file-card index of issues and ideas that other road-movie makers had addressed themselves to, and they could pull a card every five minutes and insert its text into somebody’s dialogue. Result: a quasi-intellectual zapper to occupy coequal status with the other disconnected shocks in the movie, be they the most unimaginative of scatological putdowns (any verbal exchange in excess of five lines can be handily terminated by having one party tell the other to “Kiss my ass!”), utterly unmotivated characterological turnabouts (two old buddies fall out, two sworn enemies fall in, and the three persons involved become the best of comrades, all within less than three minutes), or—who’d ever guess?!—car crashes.