Posted in: by Robert Horton, Contributors, Film Reviews

‘The Wall’: An Eerie Austrian Immersion in Nature

Martina Gedeck’s heroine is trapped in a bubble

Everybody bumps into an existential block now and again. They just don’t generally experience the literal THUNK encountered by the protagonist of The Wall. The unnamed character, played by Martina Gedeck, wakes up in her friends’ Alpine hunting cabin, only to discover the friends still absent from a hike the previous day. Accompanied by their dog, she walks along a pretty lakeside road and abruptly face-plants into a transparent, all-encompassing force field. She can’t go farther.

Don’t expect a sci-fi explanation for her roadblock. What we have here instead is pure, abject isolation, as Gedeck discovers her enclosed world includes a large swath of nature, a bevy of animals, but no other humans—and no way out. After her initial adjustment, she learns how to manage her food supply, hunt for deer, and shed her fierce I-ness in favor of a newly conscious connection to the world. If that description makes the movie’s theme sound as transparent as the all-encompassing wall, fair enough—but the execution is suitably lyrical.

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