Posted in: biography, by Sean Axmaker, Contributors, Film Reviews

Review: Gods and Monsters

[Originally written for Seattle Weekly, November 1998]

Set the wayback machine to 1998. Parallax View presents reviews of films released 20 years ago, written by our contributors for various papers and websites. Most of these have not been available for years.

In Bill Condon’s God and Monsters the ghost of Frankenstein’s monster haunts James Whale (Ian McKellan) even in retirement. Whale, the debonair, openly gay British director who came to Hollywood from the London stage to make “art” and had his greatest success with a string of “monster movies,” maintained a love-hate relationship with Frankenstein and Bride of Frankenstein almost all his life. Condon weaves the lumbering image of the misunderstood monster into the fabric of the film like a haunting memory that won’t go away.

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Posted in: by Ken Eisler, Contributors, Film Reviews

Review: The National Health

[Originally published in Movietone News 43, September 1975]

by Ken Eisler

The National Health, adapted by Peter Nichols from his own stage play, remains pure farce, but the form has undergone a marvelous cinematic sea-change. The characters, governed as before by Humours and idées fixes, enter, exit; doors slam on them—the doors, in this case, of death. The antics of these six quirky patients and their harried medical caretakers on the decaying Sir Stafford Cripps Ward, seen, let’s say, from the first balcony, must have struck audiences as grimly hilarious, though just a touch cold and detached, perhaps. But watching these hapless six on the big screen up there is another matter. You just try to distance yourself from them now.

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