Posted in: Actors, Horror

Under the Radar: Brian Cox in “Red” (2008)

This is the first entry in an ongoing series by Parallax View contributor Jeff Shannon, written in appreciation of lesser-known films, performances, film-related achievements or other newsworthy items that haven’t received the attention they deserve.

Don’t get me wrong: Red is a not great movie, or even a very good one. But if you’re looking for a minor gem that won’t waste your time, you might find (as I did) that Red will grab and hold your attention, and that’s a lot more than you can say about the mostly-redundant, higher-profile crap coming out of Hollywood these days.

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Tagline: "They Should Have Told the Truth"

More to the point, Red is a worthy showcase for an exceptional actor who’s earned plenty of critical praise but relatively little public appreciation. Brian Cox first came to American critical attention for originating the role of Hannibal Lecter (then spelled “Lecktor”) in Michael Mann’s Manhunter (1986), by which time the burly Scot (b. Brian Denis Cox, Dundee, Scotland, June 1, 1946) had been working in U.K. television and movies for over two decades. His career boosted by his cleverly sinister performance as Lecter, Cox has been in demand ever since: Among his 141 acting credits currently listed on IMDb, my personal favorites include his memorably villainous turn in Rob Roy (he also appeared in Braveheart the same year, 1995); his complex and enigmatic portrayal of pederast “Big John” Harrigan in Michael Cuesta’s risky-but-rewarding L.I.E. (2001); and, more recently, his flamboyant yet melancholy turn as traveling showman Jack Langrishe in the third (and sadly final) season of HBO’s Deadwood (2006).

Those were all serious roles, each blessed with the subtle humor that informs many of Cox’s performances. Occasionally that humor is delightfully less than subtle: Cox is one of the better reasons to watch Super Troopers (2001); he scored an Emmy nomination for an appearance on TV’s Frasier (1993); and his line deliveries in The Ringer (2005) are pee-your-pants hilarious.

Now we can add Red to the roster of Cox’s finest work to date; it’s “under the radar” because it’s been little-seen beyond its Sundance premiere in January 2008. (I wouldn’t be writing this if I hadn’t happened upon the film’s one-night preview on HDNet Movies, on the eve of its brief U.S. theatrical release in a handful of east-coast cinemas.)
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