Posted in: by Rick Hermann, Contributors, Film Reviews

Review: One Flew Over the Cuckoos Nest

[Originally published in Movietone News 48, February 1976]

In just about every Jack Nicholson performance there is a moment (often more than one moment) when Nicholson’s face reflects something suddenly and deeply wrong with the universe. In Milos Forman’s One Flew over the Cuckoo’s Nest one of those moments of both recognition and profound confusion comes after Billy has been trundled off to bed with Mac’s girlfriend Candy and McMurphy has disposed himself near the open window to wait. He begins by sharing some rum with Chief Bromden and finally sinks to a sitting position on the floor. Closeup on Nicholson’s face. He smiles, glancing in the direction Billy and Candy have gone, and then without warning or apparent reason the grin drops from sight, McMurphy’s mouth opens slightly, and his brows pull a little closer together. The window is open behind him, but somehow you know (regardless of whether you’ve read the book or the play) that McMurphy will not be crawling through it, and you’re not really sure why. After a moment, the smile creeps back onto Nicholson’s face, but then his eyes close and we cut to the next morning, the window still open, McMurphy and the Chief passed out underneath it.

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