[Written for Seattle Post-Intelligencer]
Michael Winterbottom’s checkered career has been inconsistent at best, misdirected at worst. The stylistic chameleon practically remakes himself for each film, from the handsome but chilly restraint of the Thomas Hardy adaptation Jude to the hysterical explosion of sexual obsession in I Want You. The result is a career of fascinating failures driven by moments of pure cinematic passion.
In Wonderland, Winterbottom has found a script worthy of his passion. Writer Laurence Coriat mines the British social realist territory of Mike Leigh and Ken Loach — the travails of working class Brits kicking around their grimy cities — but leaves out the politics for a portrait of characters over the course of a long weekend, grasping for love in a bustling but indifferent world.Read More “2000 Eyes: Wonderland”