Posted in: Blu-ray, by Sean Axmaker, Contributors, Film Noir, Film Reviews

Blu-ray: Laird Cregar is ‘The Lodger’

Kino Lorber Studio Classics

Laird Cregar is The Lodger (1944) (Kino Lorber Studio Classics, Blu-ray) in the third screen adaptation of the thriller by Marie Belloc Lowndes (the most famous was the 1926 film directed by Alfred Hitchcock) set in London during the reign of Jack the Ripper.

While the city panics in the wake of another murder of a showgirl by the knife-wielding madman, a man who identifies himself as Mr. Slade (Cregar) takes a room in the middle-class home of an elderly couple with financial difficulties (Sir Cedric Hardwicke and Sara Allgood). Also living there is their niece Kitty Langley (Merle Oberon), an attractive, flirtatious entertainer making the leap from music halls to more respectable theaters, and the Bible-quoting Slade can barely hide his fascination behind his admonitions of sin and temptation. George Sanders co-stars as the Scotland Yard investigator who becomes sweet on Kitty and suspicious of Slade. For good reason.

This is film noir by way of gothic thriller, a shadowy suspense thriller in the Victorian era of gaslight and horse drawn carriages on cobblestone streets, and director John Brahm gives the film a lively energy.

Continue reading at Stream On Demand

Posted in: Blu-ray, by Sean Axmaker, Contributors, Film Noir, Film Reviews

#Noirvember Blu-ray: The urban noir of ‘I Wake Up Screaming’ and ‘Cry of the City’

iwakeupscreamI Wake Up Screaming (Kino Lorber Studio Classics, Blu-ray) is not just one of the great movie titles of classic cinema, it is one of the films that established the distinctive style and attitude of film noir, from the blast of a headline shouting BEAUTIFUL MODEL FOUND MURDERED to the third degree given to swaggering sports promoter Frankie Christopher (Victor Mature) under the glare of a blinding lamp in a rather suspicious room of worn brick and cast-off furnishings, more of a cell than an official interrogation room. Mature is lit up in the center of the screen while hard shadows assault the walls and slashes of light and looming silhouettes give the cordon of cops wrapped around him a look more like intimidating mob hoods than New York’s finest. On the other side of the dungeon door is the public side of the detective’s room where Jill Lynn (Betty Grable), the victim’s sister, is treated more gently, but she’s just as trapped. When the camera swings around we see a cage around her. The picture opens with a punch and the backstory is quickly filled in with jabs of flashbacks, jumping back and forth between the smart mouthed dandy of a promotor and the demure young woman as they lay out the events leading up to the murder of ambitious Carole Landis, the hash slinger promoted to celebrity success by Mature like a noir Pygmalion.

Read More “#Noirvember Blu-ray: The urban noir of ‘I Wake Up Screaming’ and ‘Cry of the City’”

Posted in: Blu-ray, by Sean Axmaker, Contributors, DVD, Film Reviews

Blu-ray: ‘The Black Swan’

Tyrone Power was one of the top stars of 20th Century Fox, thanks to his turns as the glib, arrogant golden boy in the studio’s colorful musicals and melodramas and the earnest, driven young visionary or angry rebel of Lloyds of London (1936), Jesse James (1939), and Johnny Apollo (1940), where his dark good looks and brooding presence gave his handsome romantic lead a bit of smoldering intensity. In the 1940s, Fox decided to mold him into an Errol Flynn-style swashbuckling hero and found success in The Mark of Zorro (1940), as the Robin Hood of old California, and Blood and Sand (1941), as a bullfighting hero led astray by the temptations of fame and fortune. The Black Swan (1942) was the next logical step: a swashbuckling pirate rogue turned hero. It shouldn’t have been a good fit for Power, who was better at brooding and flashing his temper than flexing his physicality, but he brings a bit of both the flashy arrogant and the brooding hero to the role.

Captain Jamie Waring is clearly unfulfilled as a pirate captain pillaging Spanish colonies and ships, but he’s not so sure he’s any happier when he teams up with Captain Henry Morgan (Laird Cregar), the former pirate king appointed by Britain to take over as Governor of Jamaica. It sets him against his former, more savage partners in pillage, especially Billy Leech (George Sanders), and his outlaw instincts don’t fit into polite society. Complicating matters is his nearly fatal attraction to Lady Margaret Denby, daughter of the former Governor, played with flashing eyes and furious temper by Maureen O’Hara. The film gets Power’s shirt off with great frequency, from a turn on the rack to a swim in the sea to a brawl on the deck of the titular Black Swan, and tries to generate some sort of smoldering love-hate passion between Power and O’Hara as they cross paths and trade barbed exchanges. They get the hate part right–Lady Margaret all but boils over in righteous indignation whenever the outlaw dares insert himself in proper society and Jamie seems exasperated at himself for his obsession with the fiery beauty–but there’s no electricity when they collide and no passion in their furious denial, just umbrage and acerbic bickering.

Continue reading at Turner Classic Movies