Posted in: by Sean Axmaker, Contributors, Essays

Fernando Di Leo’s Anti-Mob Movies

‘Kidnap Syndicate’

Fernando Di Leo, the godfather of the poliziotteschi (Italy’s brutal take on the crime thriller genre of the seventies), dismantled the anti-hero glorification of the mafia in the Milieu Trilogy—Caliber 9 (1972), The Italian Connection (1972), and The Boss (1973)—with an unflinching portrait of its corrupt values. There was no criminal code for these mercenary mafia soldiers and self-serving bosses, merely greed and survival (as discussed in yesterday’s Keyframe story on Di Leo). For his next bout with organized crime, Di Leo cast his lens beyond the insular mob world to the culture at large and found that corruption seeped into every level of law and order. While it’s not quite accurate to call Shoot First, Die Later (1974), Kidnap Syndicate (1975), and Rulers of the City (1976) a trilogy in their own right, together they offer a companion series to his mob trilogy where victims of the mafia’s indifference to civilian lives take on the syndicate. Not of idealism, mind you, simply out of vengeance and rage.

Shoot First, Die Later stars Luc Merenda as a hotshot cop on the Milan strike force. Young, good looking and always at the center of big, splashy cases, Domenico Malacarne is the department poster boy for police heroism and he kicks off the film with a ferocious car chase that rivals The French Connection. (It’s the first of two riveting sequences coordinated by French stunt driver Remy Julienne, both among most impressive car chases I’ve seen in seventies cinema.) Little does the media or his own father, a modest and idealistic career cop in a sleepy station in a Milan suburb, know that he’s on the take. Not until a request from the mob puts him in a compromising position and his father in the cross-hairs of the mob.

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Posted in: Blu-ray, by Sean Axmaker, Contributors, Film Reviews

Blu-ray: ‘Fernando Di Leo Italian Crime Collection, Vol. 2’

Italian crime thriller director Fernando Di Leo is a favorite of Quentin Tarantino — the director has gone on record crediting Di Leo’s 1972 The Italian Connection as an inspiration for Jules and Vincent in Pulp Fiction — but apart from a few dubbed and often recut VHS releases, his films were not readily available on home video for Americans to see. Raro Video has made it their mission to correct that oversight. In 2011 they released the box set Fernando Di Leo Crime Collection, featuring four stand-out gangster movies on DVD (the Blu-ray edition came out in 2012), and after a few stand-alone releases in the interim, they follow it up in 2013 with Fernando Di Leo: The Italian Crime Collection Vol. 2 (Raro) on both DVD and Blu-ray.

This three-disc set boxes up Shoot First, Die Later (1974), a ruthless crime drama starring Luc Merenda as a corrupt cop on a mission of righteous vengeance (previously released as a stand-alone disc), with two disc debuts: Naked Violence (1969), a juvenile delinquent cop drama by way of social commentary, and Kidnap Syndicate (1975), a revenge thriller with Merenda, this time playing an innocent bystander roused to take justice into his own hands.

Shoot First, Die Later, one of Di Leo’s best, stars Merenda as Domenico Malacarne, a hotshot cop on the Milan strike force. Young, good looking, and at the center of big, dangerous cases, he is the department poster boy for police heroism and Di Leo kicks off the film with a volatile undercover assignment and a ferocious car chase that rivals The French Connection. Just the thing to introduce Domenico as an ambitious hero with a penchant for muscular assignments and brazen action, right before revealing that he’s on take. The collision of the unpredictable nature of character with the impersonal code of mafia business is at the center of Di Leo’s best gangster films and revenge is big, bloody, and violent. So when Domenico’s father, a modest and idealistic career cop who sacrifices all for his son (including, at one point, his moral code), is murdered by a local mafia lieutenant, Domenico goes after the mob and its business-like boss (Richard Conte), who negotiates the crisis with ruthless aplomb after his underlings botch the job.

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