Posted in: 2000 Eyes, by Richard T. Jameson, Film Reviews

2000 Eyes: The Golden Bowl

[Written for Mr. Showbiz]

James Ivory, as a writer in the Cannes-Matin notes, has become a genre unto himself, and you couldn’t ask for a more thoroughgoing manifestation of that genre than The Golden Bowl. Adapted by Ruth Prawer Jhabvala from one of Henry James’s most intricate novels, mounted in exquisite European locations and handsomely photographed as ever by Tony Pierce-Roberts, this latest Merchant Ivory production will neither disappoint devotées nor persuade unbelievers to take an adjacent pew. In both cases, that’s because The Golden Bowl is more a Cliff’s Notes version of Henry James than the real thing (to coin a phrase).

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Posted in: Film Reviews

Review: Last Days of Disco

[Originally written for Film.com, 1998]

Set the wayback machine to 1998. Parallax View presents reviews of films released 20 years ago, written by our contributors for various papers and websites. Most of these have not been available for years.

Characters from Whit Stillman’s previous films, Metropolitan and Barcelona, turn up in cameo roles amongst the busy dance-floor scene-makers in The Last Days of Disco. Aside from stitching these movies together in the same milieu and class, these re-appearances have the effect of rounding off Stillman’s unofficial trilogy; as such, Last Days is an appropriately wry letting go, a sad-edged valentine to an endearingly absurd era in American culture.

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Posted in: by Robert Horton, Contributors, Film Reviews

Film Review: ‘Stonehearst Asylum’

Ben Kingsley, Michael Caine, Kate Beckinsale, and Jim Sturgess

There may be no ideal time to wander into the halls of a remote Victorian-era home for the mentally impaired, but the waning days of December 1899 appear especially unfortunate. Nevertheless, a young doctor named Edward Newgate (Jim Sturgess, from Cloud Atlas) arrives at Stonehearst Asylum just in time for Christmas dinner—because of austerity measures, the menu this evening includes roast squirrel.

Almost the entirety of Stonehearst Asylum unfolds inside the place, so we have plenty of time to consider the dismal setting and the wretched circumstances of the inhabitants.

Continue reading at Seattle Weekly