Posted in: by Robert C. Cumbow, Contributors, Film Reviews

Review: The Bingo Long Traveling All-Stars and Motor Kings

[Originally published in Movietone News 52, October 1976]

Like most films with a baseball setting, The Bingo Long Traveling All-stars and Motor Kings is not essentially about baseball. Not that baseball is altogether a bad thing for a movie to be about (though in these days of the once-great sport’s waning popularity a real baseball movie might well die at the box office); it’s just that baseball is so damned useful to film makers as metaphor. One of the most exciting moments in Bingo Long occurs when Charlie Snow, a player on the barnstorming independent baseball team of the title, slips out of the game momentarily to relieve himself and suddenly finds a razor at his throat. The razor belongs to the hired goons of funeral director Sallison Potts, who is trying to intimidate Bingo Long and his team of unaffiliated black players into giving up their enterprise and returning to his Negro National League franchise. A closeup shows us the razor against Snow’s chest; a short cry escapes his mouth before it’s stifled by one of the goons. It’s too quiet just now: Snow’s screams would be heard. “Wait till Leon tags one,” says the second goon; “wait till the crowd roars.” At bat is slugger Leon Carter, whose big hit we have been waiting for and are now dreading. The pitcher winds up and delivers—and it’s a ball. And it’s a breathless moment in the theater. But it’s also essentially a denial of the excitement of baseball. Those who know baseball and consider it important don’t need a man’s life riding on the next pitch in order for it to be an exciting, tense experience.

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Posted in: by Robert C. Cumbow, Contributors, Film Reviews, Musicals

Review: Saturday Night Fever

[Originally published in Movietone News 58-59, August 1978]

In intent and intensity, Saturday Night Fever falls somewhere between West Side Story and Mean Streets. The former film is specifically evoked by the dwelling on Romeo and Juliet. When disco king Tony Manero takes his prospective dance-contest partner Stephanie Mangano out to tea, she plays a humiliation game with him, saying that though their origins are the same, she is now of a different kind, and implying that she is too good for him. The lovers aren’t exactly star-crossed, but they have their share of differences to overcome; and contrary to what Stephanie would like to believe, the inadequacies aren’t all on Tony’s side. After all, wondering why Romeo was so quick to take the poison is a valid response to Romeo and Juliet—much more so than her tossed-off response that “That’s the way they did it in those days.”

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