Posted in: by Robert Horton, Contributors, Documentary, Film Reviews

Review: De Palma

“And that’s when I came up with the flying utensils.” A seemingly innocuous phrase, right? If the speaker is a Disney animator, you might be visualizing a charming sequence of movie magic. But no—the speaker is Brian De Palma, so this out-of-the-blue comment can only lead to something perverse. His fans will know that the notorious director is talking about Piper Laurie’s death scene in Carrie, his 1976 horror hit. On the page, the telekinetic Carrie gives her mother a heart attack. Speaking to us in the documentary about him, De Palma rolls his eyes over how uncinematic this would be. Why have a character simply clutch her chest and fall over when you could send an arsenal of flying cutlery toward her, crucifying the evil witch in her own contaminated house?

This is one of dozens of stories in De Palma, a feature-length interview in which the filmmaker, 75, tells anecdotes, copiously decorated with clips from all his films. The tidbit about Carrie is typical of the documentary at its best: It’s a colorful story, but it also underscores De Palma’s keen, sometimes lurid grasp of what cinema is. That scene in Carrie may be over the top, but it is cinematically alive in a way that De Palma’s better-behaved colleagues rarely touch.

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Posted in: by Robert Horton, Contributors, Film Reviews

Film Review: ‘Young Ones’

Michael Shannon

The old postapocalyptic shuffle is alive in Young Ones, but this catastrophe is more credible than most such speculations. The problem here is water, which has evaporated, at least in this corner of the world. Patriarch Ernest Holm (Michael Shannon, apocalypse vet from Take Shelter) trades trinkets in exchange for supplies, and just manages to keep hold of his “farm”—a patch of brown desert—in hope that the soil needs only the rain to come back. But the film’s real attention is on the next generation, played by a trio of child stars aging into young adulthood. Holm’s patient son Jerome (Kodi Smit-McPhee, the kid from The Road) and resentful daughter Mary (Elle Fanning) must negotiate their future with the ambitious Flem Lever (Nicholas Hoult of Warm Bodies, soon to appear in the Mad Max reboot). Ernest isn’t crazy about Flem hanging around with Mary, for reasons that turn out to be pretty well-founded.

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