[Originally published in Movietone News 60-61, February 1979]
From the tone of the “Emergence of Burt Reynolds” ballyhoo that heralded its arrival, I expected The End to be the bigger hit of the past summer’s two Reynolds films. But despite his competent bid for respect as a serious directorial talent in The End, Reynoldsâ€”on either side of the cameraâ€”is more engaging in the midst of the humble good-timeyness of Hooper. Hal Needham directed the latter, a stuntman’s paean to stuntmen; but one glance at the credit and cast lists for the two films makes a case for regarding both as the product of the Burt Reynolds stock company that has been slowly a-building through White Lightning, Gator and Smokey and the Bandit. These folks enjoy one another so darn much it’s pretty hard for us not to enjoy them, too.