The complications and tricky negotiations of family, as siblings grow up and leave to establish their own lives and their own families, was a central theme of numerous films at the 2007 Toronto International Film Festival. Two of the best films from that festival, Olivier Assayas’ Summer Hours (L’heure d’ete) and Hirozaku Kore-Eda’s Still Walking, highlight the opening weekend of the 2009 edition of the Seattle International Film Festival.
Summer Hours is like a miniature, a small film of small dramas in the scope of large lives. Mortally once again hangs over the story of a family estate and the rich treasures of art history that goes with it. Family matriarch Helene (Edith Scob) has preserved the country home of her famous painter uncle as a tribute to him, complete with unpreserved works by French masters on the walls and rare pieces of furniture and glassworks as household items, and she drills in her eldest the list of valuables that need be accounted for and, if necessary, sold off when she dies. FrÃ©dÃ©ric (Charles Berling), who lives nearby in Paris, can’t bear to see the home broken up and sold off, but with his sister (Juliette Binoche) thriving in New York and younger brother (JÃ©rÃ©mie Renier) settling in China, the holiday family home no longer has the same meaning to them all, let alone their children. The film moves from one decision to another and the arguments that inevitably ensue and it’s not all that subtly engineered. What Assayas brings is a generosity of understanding and a warmth of character to the siblings who love one another enough not to let disagreements change their feelings. It’s a gentle look at the way the ties to the past lose their hold on the next generations, and it closes with a pair of sequences that alone would recommend the film: one that takes you through the Musee D’Orsay from the workshops through to the galleries, and a final scene that recalls his brilliant (and still unavailable on DVD) early feature Cold Water, but with the angry, rebellious destructiveness of the earlier film replaced with a warm communal celebration. Plays Friday, May 22 and Sunday, May 24.