Posted in: Blu-ray, by Sean Axmaker, Contributors, Film Reviews, Horror

Blu-ray: ‘Ravenous’

Ravenous (Scream Factory) channels the story reminiscent of the Donner Party disaster and the legend of Alferd Packer (the only American ever convicted of cannibalism) into a gruesome survival thriller with a crimson-hued streak of black humor and an elemental hint of the supernatural. The resulting film takes top honors as the definitive frontier cannibal movie. Not that there’s a long list to choose from, mind you, but this earns its position with honors, thanks to a gleefully weird and savagely bloodthirsty sensibility.

Guy Pearce is Captain John Boyd, whose battle cowardice during the Mexican-American war inadvertently results in making him an accidental hero. The ordeal of playing dead under the bleeding corpses of his fellow officers also puts him off meat, as the opening scenes so vividly illustrate. Director Antonia Bird cuts straight to the heart of the situation as she intercuts soldiers devouring bleeding-rare steaks at a military luncheon with the bloody casualties of battle stacked like cordwood: meat is meat, at least as far as this film is concerned. Boyd’s commanding officer (John Spencer of The West Wing), who knows that his valor is a fraud, ships him out to the fringes of military reach: a fort in a California mountain pass, which runs with a minimal compliment during the impassable winter months. “This place thrives on tedium,” smiles fort commander Colonel Hart (Jeffrey Jones), who takes everything with a bemused indulgence. How else to survive a company made up of a useless drunk second-in-command (Stephen Spinella), a giggling weed-head idiot (David Arquette), a twitchy, mumbling chaplain (Jeremy Davies), and a macho soldier boy (Neal McDonough) who holds the rest of the company in utter contempt?

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Posted in: by Robert Horton, Contributors, Film Reviews

Film Review: ‘The Rover’

Robert Pattinson

Like a Road Warrior writ small, The Rover skitters across a slightly futuristic Australia, a car chase pitched against a great void. But this doesn’t feel like an adventure movie—more like a stripped-down Western about a single-minded quest.

The single mind belongs to Eric (Guy Pearce), a blasted soul whose car is stolen while he’s getting a drink at a desolate spot in the outback. His wheels have been taken by three criminals fleeing a robbery; they’ve dumped their getaway vehicle outside. This means Eric can actually commandeer their still-drivable car and make pursuit. Or he could just take their car and drive away. In this wide-open world, that seems like a fair trade—yet he spends the rest of the film brutally tracking the thieves down. He has to have that car.

Continue reading at Seattle Weekly

Posted in: by Robert Horton, Contributors, Film Reviews

Film Review: ‘Hateship Loveship’

Kristen Wiig and Guy Pearce

A drab soul named Johanna Parry has just become convinced that, at long last, someone in the world loves her. The someone lives elsewhere, so physical affection will have to wait, but Johanna has been waiting too long already. So she stares at the bathroom mirror and then forcefully tries out some kissing on her own reflection. With tongue. This action would be normal for a 14-year-old, but for a grown woman it takes on different shades of sad, funny, and mortifying.

The moment might defeat an ordinary actress, but Kristen Wiig is not ordinary. And she really goes for it.

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