Australian thespian John Noble was best know to American audiences as King Denethor in Peter Jackson’s Lord of the Rings films before he became Walter Bishop in Fringe. The character is a tortured genius who spent 17 years in a mental facility, treated with heavy doses of pharmaceuticals and receiving no visitors, until he was released into the custody of FBI agent Olivia Dunham (Anna Torv) and Walter’s estranged son, Peter (Joshua Jackson), whose resentments smooth out to affection over the course the show. On the one hand, Walter is an entertaining eccentric with limited social skills and a childlike delight in the smallest things. On the other, he’s a broken soul whose earlier experiments sacrificed people in the name of science and now, as he rediscovers his humanity in the social world, has to face the human cost of his actions. His compassion and responsibility is returning and it’s painful.
Noble’s resonant voice takes on a continental quality for the role, vaguely but indistinctly American. “When I first approached the character, I was looking for something that was unique,” he explained about the accent. “We could have done standard American, but looking for something a bit more Trans-Atlantic, because my experience with academics, they do have a slightly different way of talking. They mix with people from all over the world. So I guess what I settled on was something which could have been like a Boston accent but with English adaptations, and that was the Trans-Atlantic one.” When he drops character, however, his Australian heritage comes through loud and clear.
The road to this interview was unusually complicated. His tentative availability during an abbreviated set visit was scotched due to production shifts. A scheduled conference call became an exercise in frustration when I couldn’t get a question through, thanks to a connection glitch. Finally a direct phone interview was arranged via a temperamental cell phone, and despite the drop-outs and fuzz I was able to get in a questions in a brief ten minute discussion. The following interview, conducted by phone on March 29, features our discussion plus a few comments from the earlier conference call.
Spoiler alert: The conversation reveals elements of the episode “Peter” (which aired Thursday, April 1). The rest of the season is discussed in more vague terms.
Fringe is about a lot of things, but the most interesting story to me is the human story of Walter Bishop rediscovering his conscience and his humanity as he reconnects with his son and starts to care for the people he works with, and starts to see the damage of his experiments on the people that he loves and on people he’s just now meeting.
The retreat into insanity was a defense mechanism based on the theory you’re taking, which I do agree with. He became aware that he effected basically the whole stability of society. So whether he retreated into society to survive that or it’s a defense mechanism, which is also possible, I think it’s a very good point. However, coming out of it, he’s having to face all that again and it’s tragic. It’s bloody awful, isn’t it.