[Written for Film.com]
If Hollow Man doesn’t dive anywhere near the implications of its T.S. Eliot–inspired title, settling for the form and function of a summer movie, it nevertheless offers something extra. That extra is the edge provided by director Paul Verhoeven, the perverse Dutch master who brings his cruel, nasty personality to the party. Despite Showgirls, Verhoeven is a distinctive talent—sometimes incoherent, but often bracing.
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