Posted in: 2000 Eyes, by Robert Horton, Film Reviews

2000 Eyes: Bait

[Written for Film.com]

The plot is convoluted, so stick with me. A two-bit thief, Jamie Foxx, is busted for a robbery at a seafood plant—he had a briny notion to steal shrimp and sell ’em as scampi. The guy spends half a day in a cell with a much more ambitious thief (Robert Pastorelli), who’s gotten away with 42 million bucks’ worth of government gold bars; during his heist, he betrayed a brainiac partner (Doug Hutchison). Like the feds, Hutchison would like to know where the gold is buried. But Pastorelli dies in custody, from a heart ailment.

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Posted in: 2000 Eyes, by Kathleen Murphy, Film Reviews

2000 Eyes: O Brother, Where Art Thou? and Dancer in the Dark

[Written for Reel.com]

How strange that two of the movies I’ve liked best and been most surprised by at Cannes 2000 should turn out to be mutant forms of the musical. The Coens’ song-filled O Brother, Where Art Thou? taps into the power of mythic storytelling, the kind of exhilarating power that drives journeys from Homer’s Odyssey to Preston Sturges’s Sullivan’s Travels — both sources for O Brother’s down-and-dirty musical drift through an economically depressed America teetering on a future we’ve come, for better and worse, to live in.     

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Posted in: 2000 Eyes, by Richard T. Jameson, Film Reviews

2000 Eyes: Dancer in the Dark

[Written for Mr. Showbiz]

The great pleasure of Cannes is having no idea what you’re going to see, and knowing that you’re about to be one of the first in the world to see it. When the picture turns out to be absolutely extraordinary — a stylistically exhilarating vision that also sweeps up the entire 2,400-strong audience in the Salle Lumière in its emotional embrace — one’s first impulse is to wish the same experience for audiences around the world. In short, you don’t want to tell anybody about it, don’t want to foreclose their pleasure of discovery in any way. You just want to say, “When you have the chance, go!”

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