You’ve got to admire the confidence of Gone Girl: this truly odd movie coughs up a bizarre story line mixed with comic social commentary, but it never loses its swagger. Being the eagerly awaited adaptation of a best-selling page-turner will encourage that kind of attitude, I guess.
Gillian Flynn’s 2012 novel has a few twists up its bloodied sleeve, but we’ll be discreet here. The story begins with the disappearance of Amy (Rosamund Pike) from her unloved Missouri home, and escalates into a media circus as suspicion is cast on her husband Nick (Ben Affleck). Nick has the help of his sister (Carrie Coon) and a celebrity lawyer (Tyler Perry, excellent), but his status in the public eye is dismal. Meanwhile, we see excerpts from Amy’s diary, which fill in the picture of a marriage gone sour.
The DVD/Blu-ray release of the week is without a doubt the much-lauded The Social Network, the favorite leading into the Oscar season. Directed with typical technical fastidiousness and textural richness by David Fincher from a verbally dexterous script by Aaron Sorkin, this story of the creation of Facebook is not really about Facebook but the people who created it and how relationships unraveled on its trajectory to becoming a national (and eventually global) phenomenon and multi-million (now multi-billion) dollar business. There’s been more written about this film than anything other American release this year (or so it appears from my unscientific survey) and Time magazine’s decision to name Zuckerberg the Man of the Year has only added to the attention. And I’m still fascinated by the film and Fincher’s exacting direction, jumping between the two separate depositions that he weaves through the flashback narrative, not so much muddying the record as revealing through the complexity of the story and the characters. I’m not sure I have anything new to add to the discussion, but there’s still plenty in the film worth talking about.
The Social Network presents Mark Zuckerberg (Jesse Eisenberg) as a self-involved nerd genius in Harvard who wants social acceptance but hasn’t a clue as to how to social interaction really works, either on a date—the opening scene of the film, where he literally drives away his girlfriend Erica (Rooney Mara) by deriding her inability to keep up with his ping-ponging monologue and responding to her comments as if they were attacks upon his identity—or with his friends. The irony inherent in the film is that this young, arrogant genius with no people skills managed to deconstruct and reconstruct the social experience as a web-based simulacrum, and that this seriously uncool outcast designed an online community the thrived because it was cool.