Paris Belongs to Us (Criterion, Blu-ray, DVD), Jacques Rivette’s 1961 debut feature, makes its U.S. home video debut in a Criterion edition, which is fitting for a founding brother of the French nouvelle vague and frankly about time for Criterion. It’s their first Rivette release and comes after Blu-ray releases of Le Pont du Nord (1981) and both versions of Out 1 (1971) from Kino Lorber. I call that a good start for the least appreciated filmmaker of that loose band of brothers (and one sister, Agnes Varda).
Familiar Rivette themes and fascinations are present from this very first feature. Anne (Betty Schneider), a small town girl in Paris for school, gets involved in a theater group led by the passionate but broke Gérard (Giani Esposito), whose rehearsals for “Pericles” have to keep finding new spaces as cast members drop out, and is introduced to vague, vast, international conspiracy by American-in-exile Philip (Daniel Crohem), a Pulitzer Prize-winning journalist fleeing the blacklist and sliding into paranoia, alcoholism, and self-pity. He’s not just paranoid, he’s given up, content to lob cynical comments at pretentious parties with fellow writers and artists and then take refuge in his hovel of a room with the willing blonde Danish model next door. It’s as if he’s escaped McCarthyism convinced that it’s part of a global master plan. Anne’s older brother Pierre (François Maistre) has some connection to this group of artists, and perhaps the conspiracy itself, while Terry (Françoise Prévost), a glamorous American who lived with a Spanish composer and political activist named Juan who committed suicide before the film began, has since attached herself to Gérard and hovers around it all. The film hopscotches around Paris (some of the rehearsal spaces are marvelous little pockets hidden in the city) and the story kind of spirals in around itself.