Maleficent (Disney, Blu-ray, DVD, Digital, VOD) does sort of a “Wicked” number on the story of Sleeping Beauty’s evil sorceress, casting her as the tragic figure of a dark fantasy (but not too dark for children—barely) of a revisionist fairy tale. Angelina Jolie plays the adult Maleficent, a fairy who watches over and defends the natural and supernatural wilds from human assault. With her magnificent leathery wings and curled horns, she has the look of a beautiful demon (even her cheekbones are sharpened to an edge that look like they could cut an unwary lover to ribbons) but is at heart an innocent, a primeval force whose emotions are pure and motives without guile. Her betrayal, at the hands of a human (Sharlto Copley) who was once a friend and lover, is an assault so personal and intimate and disfiguring that children can’t help but feel the transgression as a terrible, horrible wrong while adults see it as a form of rape. It is as powerful a dramatic moment you will see in an American film, let alone a mainstream spectacle, and coupled with Jolie’s committed performance (ripples of personality and conflicted emotions, as well as a playful sense of humor, play under even her iciest moments), it gives the film a power beyond the CGIed-to-monotony fantasy designs and magical creatures.
Not to slight Elle Fanning, who plays the princess Aurora as another innocent whose purity gets under Maleficent’s vengeful shell. Fanning has the ability to radiate pure joy and wonder and does so, but Jolie shows us that the potential for love is still within her, merely buried under rage and hatred and vengeance. It is a righteous revenge film, but with a feminist twist and a redemptive journey. To quote Matt Zoller Seitz: “The movie is a mess, but it’s a rich mess. It has weight. It matters.”
The five featurettes are quite brief (the longest, “From Fairy Tale to Feature Film,” runs only eight minutes) and there are five deleted scenes. The Blu-ray also features bonus DVD and Disney Anywhere Digital HD copies.
A Most Wanted Man (Lionsgate, Blu-ray, DVD, VOD) will stand as the final film completed by Philip Seymour Hoffman before his untimely death in February and that alone is reason enough to see the film, adapted from the post 9/11 novel by John le Carré and directed by Anton Corbijn, a music video veteran who becomes more accomplished with each feature. Hoffman has the ability to lose himself in his roles and as Günther Bachmann, the leader of covert German intelligence agency that monitors potential terrorist activity, he seems to pare down a performance to give us a man who betrays nothing of what he’s thinking or feeling yet radiates a gentle warmth for his team (made up of superb German actors Nina Hoss, Daniel Brühl, and Franz Hartwig). All we really know is his loyalty to his country and to his crew, and they return that loyalty in spades.
