In Beatriz at Dinner, Salma Hayek’s face is cleansed of glamour. But even more noticeable is the expression she wears: empathetic yet often empty, as though a life of being around affluent people had trained her character to wear a mask of watchful neutrality. This is apt, because she plays Beatriz, a Mexican immigrant who works as a holistic healer in Hollywood—her clients are the very rich, albeit the kind who believe in mind-body interventions and shamanism. Beatriz’s poker face is all the more impressive because her brand of medicine requires her to take on the pain of her patients, rendering her something like an old-fashioned saint.
Larry Fessenden isn’t the most well-known of indie-horror filmmakers but he should be. As a writer / director, he’s taken the classic horror genres and turned them inside out, and he’s produced or co-produced dozens of films, including Kelly Reichert’s Wendy and Lucy and Night Moves, Ti West’s The House of the Devil and The Innkeepers, and Jim Mickle’s Stake Land, through Glass Eye Pix, his own production shingle. He’s been a cheerleader, in his own words, for other independent filmmakers with a passion for horror, and his encouragement has made the genre much richer in the past couple of decades.
Scream Factory, the horror imprint of the Shout! Factory label, collects Fessenden’s first four directorial features and releases them on Blu-ray for the first time in The Larry Fessenden Collection (Scream Factory, Blu-ray). All four films are all newly mastered in HD transfers approved by the director and presented in separate discs with new and archival supplements.
No Telling (1991), Fessenden’s first feature as a director, takes on Frankenstein through the story of a research scientist who starts poaching animals from the nearby forest to experiment on while ostensibly on a summer vacation with his wife. Meanwhile a proponent of organic farming tries to get the local farmers to give up pesticides for the good of the land. It’s eco-horror in the modern age. The disc includes new commentary by Fessenden, a featurette, the short film White Trash (1997), and deleted scenes.