SIFF more than doubled its archival programming this year, bring a record 19 archival films and programs to the festival this year. The backbone of the archivals this year is a program celebrating the 25th anniversary of Martin Scorsese’s Film Foundation. Eight films restored by The Film Foundation play SIFF, and another four will screen at The Paramount Theatre’s Silent Movie Mondays through June.
The Film Foundation screenings, all from 35mm film prints, are almost all done. Michael Powell’s The Red Shoes, which was scheduled for the first weekend of SIFF, had to be cancelled after the screening had begun due to projection problems. Word is that the festival programmers are working to get a new screening scheduled. Meanwhile there is one Film Foundation restoration still on the schedule: Alyam, Alyam (1978), from Morocco, is set to play on June 7 at 4:30pm at SIFF Film Center.
Unconnected with The Film Foundation anniversary was The Son of the Sheik (1926), one of the first genuine movie sequels. It was also the last film that Rudolph Valentino made—he died shortly before its premier. He plays two roles in the tongue-in-cheek Arabian swashbuckler, both father (under a distinguished beard and a stern, serious expression) and son, the former now a responsible leader of his people and the latter a wild young man—just like his father was at his age. The double-exposure camera effects that put father and son together, fighting side-by-side in the climactic swordfight, are seamless, a reminder that the art and craft of Hollywood filmmaking in the silent era was top notch. The Alloy Orchestra played a lively live score, with bongos and congas setting the scene and a bit of accordion and clarinet added to the synthesizer melodies, which in Alloy fashion stand in for flutes, bass, and pretty much the rest of the orchestral colors.