[Written for Reel.com]
How strange that two of the movies I’ve liked best and been most surprised by at Cannes 2000 should turn out to be mutant forms of the musical. The Coens’ song-filled O Brother, Where Art Thou? taps into the power of mythic storytelling, the kind of exhilarating power that drives journeys from Homer’s Odyssey to Preston Sturges’s Sullivan’s Travels — both sources for O Brother’s down-and-dirty musical drift through an economically depressed America teetering on a future we’ve come, for better and worse, to live in.
Read More “2000 Eyes: O Brother, Where Art Thou? and Dancer in the Dark”