Images, lines, gestures, moods from the year’s films
By Richard T. Jameson & Kathleen Murphy
• The blood beginning to spread on Reb Grosskover (Fyvush Finkel) just when we thought there wouldn’t be any—A Serious Man…
• The Hurt Locker: rust and scale popping off a derelict car when an IED explodes nearby…
• Middle Atlantic States summer heat and humidity visible in the air, the color, the softness—Taking Woodstock…
• At the beginning of Summer Hours, the country house pulsing in and out of shadow, coming to light in memory; Olivier Assayas’s farewell to one small citadel of art, civilization, community…
• Public Enemies: the thrill of seeing a piece of Manhattan Melodrama big as a movie-palace wall, with the luster of the brand-new. Worth dying for…
• Ghost on the smoke: the Giant Face, Inglourious Basterds…

• Bad Lieutenant: Port of Call New Orleans: iguana sharing screenspace with Nicolas Cage; both rampant…
• In 35 Shots of Rum,” people know things about each other we don’t know. Father (Alex Descas) and daughter (Mati Diop) exchanging glances as he dances with Gabrielle (Nicole Dogué)…
• Ryan Bingham (George Clooney) mishearing the stewardess twice, when she inquires, “Do you want the can, sir?” Intimations of mortality, Up in the Air…
• Liverpool time: riding a log truck up a mountain, long enough for us to shiver in the freezing air, share the stoic discomfort of a nowhere man (Juan Fernández) heading for home…