[Originally published in Movietone News 50, June 1976]
by Ken Eisler
It just so happens that I was one of that lonely number who actually liked Mel Stuart’s One Is a Lonely Number some five years back. Couple of Sundays ago I caught up with Stuart’s children’s-pic Willy Wonka and the Chocolate Factory, made at about the same time, and I like this one even better. It was fun, too, being part of an audience this time (at a children’s matinee) which patently appreciated the strengths of Stuart’s style. Both One and Wonka are characterized by a peculiar blend of sentiment and acerbity. At times, the sentiment in One tipped over into sentimentality. It was the acerbity, according to report, that got out of hand in Stuart’s contemporaneous feature, I Love My … Wife, a vehicle for the too-busy Elliott Gould of that time. Willie Wonka, a few cloying patches apart, strikes an admirable balance, it seems to me. It’s Gene Wilder, at the top of his form, who makes this uneasy amalgam work, but Stuart must surely deserve some of the credit for setting off and perhaps controlling this actor’s talents. He got an exceptionally good performance from Trish van Devere in One,plus a hilarious character bit from Janet Leigh. Wilder, cast as chocolate factory owner Willie Wonka in this one, doesn’t appear until the movie is at least half over, but his star turn more than repays the long wait.