[Originally published in Movietone News 22, April 1973]
Steelyard Blues has occasioned the most dramatic instance of critical backlash in recent memory. Reviewers of contrary political persuasions (to the extent that political bent can be determined from film reviews) have proved to be up to here with the agitprop antics of Jane Fonda and, perhaps, her FTA compatriot Donald Sutherland. At any rate, Steelyard Blues has been pelted with the sort of abusive notice all those pointyhead libberulls once visited on The Green Berets. To one who took a look at the film anyway, the phenomenon is more than a little appalling. For, if Steelyard Blues is indeed, as Molly Haskell observed, so cinematically inept that one feels compelled to pick it up and take care of it, it’s nevertheless a thoroughly likeable, enjoyable, goodnatured event of a highly positive nature.