A biopic of Emily Dickinson sounds like a terrible idea, and it probably would be if it unfolded along conventional lines. But what if it were as unconventional as Dickinson’s poetry? I don’t mean a movie that is la-di-dah “poetic,” with out-of-focus shots of blossoms falling as classical music plays. What if the cinematic approach to the poet’s life could approximate her eccentric punctuation—full of dashes where commas usually roam—her abrupt shifts in focus, and her piercing gaze at eternity? If you could do that you’d have A Quiet Passion, an appropriately odd film from the British director Terence Davies.
Film critics and Seattle film mavens Robert Horton, Richard T. Jameson, Kathleen Murphy and Bruce Reid discuss Raw, the first offering by French director Julia Docournau, and offer a master class on veteran filmmaker Walter Hill and his new thriller, The Assignment. Also, get to know Emily Dickinson in the Oscar contender A Quiet Passion.
These discussions are held in the screening room of Scarecrow Video on the second Friday of every month and are free to attend. The Seattle Channel records and presents many of these a few weeks later on the Seattle Channel.
You can also watch it on the Seattle Channel website.
Keep up with the discussion at the Framing Pictures Facebook page.